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250 and Counting: February 2, 1775

Cover art for February  2, 1775: portrait of Abigail Adams by Benjamin Blyth, in 1766.

After the Boston Tea Party, the government in Britain enacted what they called the Coercive Acts, or what the Colonists called the Intolerable Acts. (From here, it doesn’t feel like one name was any better-sounding than the other.)

Because the Colonists were still hoping to preserve a decent relationship with the Mother Country, the First Continental Congress met in Philadelphia and put together a letter to the king, which said in essence, “We’re very loyal to you, O King, but it’s been a year and enough is enough. Maybe you could prevail upon Parliament to dial it back a little bit, hm?”

That was in October of 1774. Of course, documents moving slowly and all that, the reply from the king didn’t come back for a couple of months, and at the heart of it was George affirming his faith in Parliament’s actions, and nothing’s going to change for the forseeable future.

Both John and Abigail Adams, in different places at the time and in separate letters to friends, each relayed to friends their opinion that the tipping point had passed and that war was probably inevitable.

Guest Voice: Shannon Call, who needed a lot of convincing to get near a microphone.

250 and Counting: January 23, 1775

Cover Art for January 23, 1775: A portrait of Mercy Otis Warren

Awhile back we talked about a Loyalist who wrote an opinion piece under the pen name “Massachusettensis” (which we may have mocked a little bit but it’s just the Latin word for the Colony/State). His rhetoric angered John Adams to the point where he felt compelled to respond in kind, and he did so using a pen name of his own: Novanglus.

We’ll learn about Adams’ first response to Massachusettensis, but we’ll also discover that there may be another reason this particular essayist caught Adams’ imagination.

Also on this day, Mercy Otis Warren opens a new play whose plot may lie a little too close to real life.